{"title":"York 2026","description":null,"products":[{"product_id":"zusak-markus-the-book-thief-1800249","title":"ZUSAK, Markus The Book Thief","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLarge 8vo., black boards lettered typographically in gilt to spine with publisher’s device to foot; textured red endpapers; unclipped pictorial dustwrapper (£12.99 to front flap) designed by Gavin Morris; pp. [x], 3-584; the book very near fine, with just a hint of mild spotting to the upper edge and ever-so-slight compression to spine tips; the wrapper essentially fine. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst UK edition\u003c\/b\u003e, this copy \u003cb\u003esigned by the author with the addition of a smiley face \u003c\/b\u003ebefore the first initial, as is his custom. \u003c\/p\u003e\u003cp\u003eZusak was born to German\/Austrian parents who had emigrated to Australia in the 1950s. It was the stories which his parents later recounted to him about their experiences in Europe (including witnessing the Munich to the Dachau death march and the bombings of Munich) which led him to write a story from the perspective of Death, combining on one hand all that is brutal about humanity, but on the other all that is compassionate and beautiful. “We have these images of the straight-marching lines of boys and the ‘Heil Hitlers’ and this idea that everyone in Germany was in it together”, he later explained in an interview with the \u003ci\u003eSydney Morning Herald\u003c\/i\u003e, “But there still were rebellious children and people who didn’t follow the rules and people who hid Jews and other people in their houses…there’s another side to Nazi Germany.” \u003c\/p\u003e\u003cp\u003eThe plot follows nine year old Liesel growing up in a foster home in Germany during the Second World War, who upon discovering a half-burned book in the snow embarks on a mission to steal as many books as possible - from burnings, the mayor's wife's library, or wherever she can find them. \u003c\/p\u003e\u003cp\u003eThe book was a huge success, selling 17 million copies worldwide and translated into 63 languages. In 2013 it was adapted into film, featuring a score by the composer John Williams. \u003c\/p\u003e\u003cp\u003eA beautiful copy.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800249\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208123204,"sku":"1800249","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800249.jpg?v=1788803714"},{"product_id":"zafon-carlos-ruiz-the-cemetery-of-forgotten-books-series-the-shadow-of-the-wind-the-angel-s-game-the-prisoner-of-heaven-the-labyrinth-of-the-spirits-1800248","title":"ZAFON, Carlos Ruiz [The Cemetery of Forgotten Books Series]: The Shadow of the Wind; The Angel’s Game; The Prisoner of Heaven; The Labyrinth of the Spirits","description":"\u003ch3 style=\"font-variant: small-caps\"\u003e“I WAS RAISED AMONGST BOOKS, MAKING INVISIBLE FRIENDS IN PAGES THAT SEEMED CAST FROM DUST AND WHOSE SMELL I CARRY ON MY HANDS TO THIS DAY…”\u003c\/h3\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vos., 4 vols; red, navy, brown and black boards, respectively, each lettered and sometimes decorated in gilt and metallic red to spines with publisher’s devices; two volumes with coloured endpapers, two with photographic endpapers; a very smart set, near-fine copies all, with occasional scratches to boards and mild even toning to the text blocks; Vol III with a little light marginal spotting; the wrappers also near-fine, Vol I with price sticker to front panel, Vol II with evidence of price sticker having been removed from the front panel, and Vol III with promotional sticker; some of the wrappers with ever-so-slight wear to the edges, a little more so to the last and largest volume, still a very up-together set. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst UK editions all \u003c\/b\u003eof Zafon’s acclaimed Cemetery series, complete with full number lines where called for. \u003c\/p\u003e\u003cp\u003eZafon’s first novel, \u003ci\u003eThe Prince of Mist\u003c\/i\u003e was published in 1993, and appeared in English in 2010. A series of novels for young adults followed, before, in 2001, \u003ci\u003eLa sombra del viento\u003c\/i\u003e [The Shadow of the Wind] was first released to the world. Zafon was strongly influenced by 19th century classics, crime fiction, and noir authors, and his novels echo this fact. Born in Barcelona, many of his works are set on the dark and gothic backdrops of the city, with the twisted streets and characters in his stories become synonymous with each other - interlocking storylines, mysterious fires, figures watching in the shadows, doomed and fated love, hidden libraries and much more besides. \u003ci\u003eEl juego del ángel,\u003c\/i\u003e [The Angel's Game]; \u003ci\u003eEl prisionero del cielo\u003c\/i\u003e, 2011 [The Prisoner of Heaven]; and \u003ci\u003eEl laberinto de los espíritus\u003c\/i\u003e, [The Labyrinth of Spirits] followed \u003ci\u003eShadow\u003c\/i\u003e in quick succession, with the stories in each of the books designed to be read in any order, with overlapping characters and story arcs across generations bringing depth and further intrigue as each was published. \u003c\/p\u003e\u003cp\u003eFor a translator, Zafon chose Lucia Graves, daughter of the poet Robert Graves, who lends a sympathetic and highly poetic perspective to the author’s already highly evocative language. \u003c\/p\u003e\u003cp\u003eWhen Zafon died in 2018, the world lost a singularly great writer, one who has been compared to Cervantes, Dumas and Wilkie Collins in terms of influence and scope. His writing today maintains a loyal following. “If you thought the true gothic novel died with the 19th century, this will change your mind,” Stephen King wrote in one review. “Shadow is the real deal, a novel full of cheesy splendour and creaking trapdoors, a novel where even the subplots have subplots.” \u003c\/p\u003e\u003cp\u003eA wonderful set for the Zafon lover. \u003ci\u003eShadow of the Wind\u003c\/i\u003e is considerably scarcer than its American counterpart. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800248\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208155972,"sku":"1800248","price":400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800248.jpg?v=1788803715"},{"product_id":"young-ella-celtic-wonder-tales-1800247","title":"YOUNG, Ella Celtic Wonder-Tales","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., lettered and decorated with Celtic devices in white to upper and spine; pp. [vi], vii-viii, [ii], 3-201, [iii]; containing four beautiful full-colour plates, mounted onto brown card and embellished in silver and gold; along with numerous other initials, head and tail pieces, and decorative devices in black and white throughout; covers good, soiled and darkened at edges with fading to the lettering at backstrip; corners bumped and spine tips pushed; a couple of small patches of fading to the lower board; internally remarkably clean, upper edge of text block darkened and a couple of spots to the fore-edge occasionally extending to prelims; previous owners name in pencil to front paste-down, along with a much faded early inscription, now barely decipherable. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst edition\u003c\/b\u003e of this collection of celtic folk tales which include The Earth-Shapers, The Cow of Plenty, The Golden Fly and The Children of Lir. \u003c\/p\u003e\u003cp\u003eElla Young was born in 1867 into a protestant family in the village of Feenagh, County Antrim. After receiving a masters degree at Trinity College, Dublin, she became interested in Theosophy, and became an early member of the Hermetic Society, where she became associated with a series of Irish writers including George William Russell. She subsequently became one of his select group of protégés known as the \"singing birds\". Her first volume of poems was published in 1906, and her first work of Irish folklore, \u003ci\u003eThe Coming of Lugh\u003c\/i\u003e, was published in 1909, the first collaboration with her friend, the revolutionary and suffragette Maud Gonne. The present volume followed one year later. Young is best remembered today for her folk-lore, which she continued to write about in earnest following a series of fairy experiences. She later wrote that: \"from childhood I heard tales of ghosts, banshees, haunted castles, mischievous and friendly sprites, snatches of ballads, and political arguments ... It was not until I came to Dublin…that I realized what a heritage waited for me in Celtic literature. I read every translation I could get, learned Irish, and betook myself to Gaelic Ireland where, by turf fires, I could hear the poems of the Fianna recited by folk who had heard the faery music and had danced in faery circles ...\" \u003c\/p\u003e\u003cp\u003eMaud Gonne was a friend and lover to W. B. Yeats, and through him she began to be involved with the occultist circles in which he moved, developing a strong interest in reincarnation. In 1891 she too briefly joined the Hermetic Order of the Golden Dawn. Her deeply evocative images here have deeply spiritualist undertones, with altars, mothers and children and nymph-like gods alongside recurring images of swans. \u003c\/p\u003e\u003cp\u003eTogether, Young and Gonne produce a deeply spiritual and mystical work based on their knowledge of Irish fairy tales. They later founded \u003ci\u003eInghinidhe na hÉireann\u003c\/i\u003e (\"Daughters of Ireland\"), alongside writers such as Alice Furlong and Ethna Carbery.  \u003c\/p\u003e\u003cp\u003eA beautiful production, very fresh internally. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800247\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208188740,"sku":"1800247","price":550.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800247.jpg?v=1788803716"},{"product_id":"wilde-oscar-the-duchess-of-padua-a-tragedy-of-the-sixteenth-century-1800246","title":"WILDE, Oscar The Duchess of Padua. A Tragedy of the Sixteenth Century","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., red card wraps with onlaid paper title label printed in red and black; tied and glued at backstrip; outer edges untrimmed; pp. [viii], 9-187, [iii]; with title page printed in red and black; internally fine, and apparently unread, with many quires entirely unopened; the odd crease; a couple of pages worked loose, including the ffep and occasional gathering; discrete Cleveland bookseller sticker to the final page; the book now housed in a custom-made purple silk flapcase and matching slipcase; the outer shell in quarter red morocco with five raised bands, lettered and decorated in gilt to spine (a little rubbing). \u003ci\u003eProvenance:\u003c\/i\u003e Discrete label of J.O. Edwards to front free endpaper, likely the prominent, highly regarded private collector of rare books who built a world-class collection of Oscar Wilde first editions, manuscripts, and presentation copies during his lifetime. \u003c\/p\u003e\u003cp\u003eAn early pirated edition of Wilde’s historical play, and an English translation taken from the text of Dr. Max Meyerfeld's German translation, Die Herzogin von Padua, which appeared in Berlin the previous year. First published in 1883, this present edition states ‘\u003cb\u003ePrivate Limited Issue reserved exclusively for the Subscribers\u003c\/b\u003e’, and was reportedly printed in a run of just 100 copies on handmade paper. The first licensed edition in English (by Methuen) was not published until 1908. \u003c\/p\u003e\u003cp\u003eWilde had been strongly influenced by Victor Hugo’s \u003ci\u003eLucrezia Borgia\u003c\/i\u003e (1833) and \u003ci\u003eAngelo, Tyrant of Padua\u003c\/i\u003e (1835) - two historical plays set in Italy - when, in the 1880s, he decided to write a similar play of his own. The five-act result was written for the actress Mary Anderson in early 1883, while Wilde was in Paris, and in a note to Anderson at the time, he claimed that he had “in you a faith which is as flawless as it is fervent I doubt not for a moment that I can and will write for you a play which, created for you and inspired by you, shall give you the glory of a Rachel, and may yield me the fame of a Hugo.\"  Unfortunately, subsequent negotiations with Anderson’s stepfather\/manager broke down, and the play was never produced. It was not until 1889 when it was rediscovered by the American actor Lawrence Barrett that it was staged in New York, opening at the Broadway Theatre in 1891 under the title \u003ci\u003eGuido Ferranti\u003c\/i\u003e. It has rarely been revived or studied. \u003c\/p\u003e\u003cp\u003eThis book previously in the collection of Clive Hirschhorn, the prominent author, film historian, and former journalist who served as theatre critic for The Sunday Express from 1966 to 1995. Hirschhorn is noted for conducting what is considered to be Judy Garland’s final interview, and throughout his career he interviewed such stars as Gene Kelly, Alfred Hitchcock, Marlene Dietrich, Frank Sinatra, Woody Allen, Mel Brooks, Jack Nicholson, Tennessee Williams, and numerous others. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800246\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208221508,"sku":"1800246","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800246.jpg?v=1788803716"},{"product_id":"williams-tennessee-i-rise-in-flame-cried-the-phoenix-a-play-about-d-h-lawrence-1800245","title":"WILLIAMS, Tennessee I Rise in Flame, cried the Phoenix. A Play about D. H. 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Designed and printed by Harry Duncan and Wrightman Williams at the renowned Cummington Press, Cummington School of Arts, Massachusetts.  \u003c\/p\u003e\u003cp\u003eA heartfelt one-act play, written by Williams in tribute to Lawrence, who passed away in March 1930. An introduction is provided by Lawrence’s wife Frieda, who writes “when I read this short play…it was so different from the ordinary everyday being-in-love, that has its limits so very soon. It was life in its freedom, its limitless possibilities, that bound us together. In our poverty the whole world with everything in it was ours.”\u003c\/p\u003e\u003cp\u003eSet in the French Riviera where he died, this imaginary depiction of D. H. Lawrence's last moments depicts the intensity of Lawrence’s volatile relationship with his wife, as well as his controversial views on art and sex, which refer in particular to the 1930 exhibition of his paintings in which all the artworks were seized by police and would have been burned had it not been for a last-minute injunction. The play premiered at the Lucille Lortel Theater (formerly the Theatre de Lys) in New York City in April 1959 under the direction of Tom Brennan. \u003c\/p\u003e\u003cp\u003eThis book previously in the collection of Clive Hirschhorn, the prominent author, film historian, and former journalist who served as theatre critic for The Sunday Express from 1966 to 1995. Hirschhorn is noted for conducting what is considered to be Judy Garland’s final interview, and throughout his career he interviewed such stars as Gene Kelly, Alfred Hitchcock, Marlene Dietrich, Frank Sinatra, Woody Allen, Mel Brooks, Jack Nicholson, Tennessee Williams, and numerous others. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800245\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208254276,"sku":"1800245","price":325.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800245.jpg?v=1788803716"},{"product_id":"voltaire-m-de-francois-the-philosophical-dictionary-1800244","title":"VOLTAIRE, M. de [François] The Philosophical Dictionary","description":"\u003ch3 style=\"font-variant: small-caps\"\u003eTHE CULMINATION OF VOLTAIRE’S VIEWS ON RELIGION AND MORALITY: A RARE DUBLIN PRINTING\u003c\/h3\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSmall 8vo., contemporary tree calf lettered and with decorative rules in gilt to backstrip; pp. [v], 2-331, [iii]; a very good and sound copy, the boards a little rubbed, particularly at corners and along spine; internally for the most part clean, with some occasional minor spotting; one damp mark affecting the upper right hand corner of the majority of the text; else fully legible; some early ink annotations to the front paste-down. \u003c\/p\u003e\u003cp\u003eNew and correct edition of this Dublin printing. \u003c\/p\u003e\u003cp\u003eVoltaire’s \u003ci\u003eDictionnaire Philosophique\u003c\/i\u003e was a lifetime project. First published in French in 1764, the work is arranged in an encyclopedic  form, with subjects arranged alphabetically A-Z on subjects as diverse as the Apocalypse, Circumcision, Dreams, Fraud, Liberty and Madness . Most famously, Voltaire is critical of the Roman Catholic Church, Judaism, Islam, and other institutions, and it was partly because of this that the first appearance, in Geneva, was completely anonymous. Several editions appeared in the years that followed, many of them in Voltaire’s lifetime, but none with significant amendments - it was the author’s intention that  \"revolutionary material must be small enough for people to carry with them\", as is evidenced by the first English edition, which appeared in 1765 as ‘The Philosophical Dictionary for the Pocket’.\u003c\/p\u003e\u003cp\u003ePerhaps unsurprisingly, the book was despised by religious authorities was censored in many countries including Switzerland and Fance where, should any copies be located, they were ritually burned in town squares. \u003c\/p\u003e\u003cp\u003ePublished in a particularly active political landscape (in the midst of the French Revolution), this early Dublin edition appears \u003cb\u003escarce\u003c\/b\u003e, with just a handful of institutional examples. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800244\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208287044,"sku":"1800244","price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800244.jpg?v=1788803717"},{"product_id":"tonna-charlotte-elizabeth-als-to-the-editor-of-the-record-1800243","title":"TONNA, Charlotte Elizabeth ALS to the editor of ‘The Record’","description":"\u003ch3 style=\"font-variant: small-caps\"\u003eAN EARLY REFERENCE TO THE RSPCA\u003c\/h3\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSingle folded sheet of writing paper (39.5 x 20cm approx), folded once vertically, with Tonna’s writing to four sides in a neat, flowing hand; signed to final leaf ‘Charlotte Elizabth’ and dated May 21 1835; sadly roughly cropped to foot with some loss of text; a few creases and ink stains, some contemporary; still a fascinating and important artefact. \u003c\/p\u003e\u003cp\u003eCharlotte Elizabeth Tonna (1790 – 1846) was born in 1790 to the daughter of a reverend, and was raised in a strictly religious family. She married Captain George Phelan in 1813 and spent two years with him while he served with his regiment in Nova Scotia before returning to Ireland. The marriage was an unhappy one, prone to acts of violence, and Tonna began to write under the name ‘Charlotte Elizabeth’ to protect her writing from her husband. They separated in 1824 and she later remarried. \u003c\/p\u003e\u003cp\u003eTonna began writing after her father’s death, in an attempt to support her mother. She believed that it was her mission in life to convert non-believers and protestants to Evangelical Protestantism, and so much of her work was religious, although later in life she began to write more widely on the subject of social change. In particular, she was passionate about the poor working conditions of female workers in London, and she also wrote about cotton mill child labour workers. Her concern for the social and economic conditions of women expressed in her writing helped gather support for passage of the London Factory Acts of 1844, 1847, and 1848, which regulated and improved the conditions of industrial workers. She was an early supporter of animal welfare and her \u003ci\u003eKindness to Animals, Or, The Sin of Cruelty Exposed and Rebuked\u003c\/i\u003e was published in 1845, shortly before her untimely death. \u003c\/p\u003e\u003cp\u003eThe present letter was written in 1835 to the editor of ‘The Record’, a prominent British evangelical religious and conservative newspaper which had been founded in 1828 and reported on ecclesiastical news, religious debates, social reform, missionary work, and general Victorian domestic and foreign news from an explicitly Christian perspective. Typical of her fervent passion for protestantism, the letter is strongly religious in tone, and she writes of animal cruelty: “I was not, until recently, aware how much is being attempted, how much actually done, to interpose between the tormentor and his defenceless victim”. She also refers to her abhorrence at the “fearful traffic in slaves some forty years ago” and quotes “the righteous man regardeth the life of his beast” - is not the blood the life? Is not their breath their life?” She concludes, “seeing, by your advertisement, that the annual meeting of the society for the prevention of cruelty to animals is postponed to June…I would earnestly beseech my fellow Christians to add yet this act of mercy to all”. 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In the Autumn of 1936 he published a first short account in the \u003ci\u003eChina Weekly Review\u003c\/i\u003e, and the first appearance in book form was published in English by Gollancz the following year. An instant bestseller, it sold over 12,000 copies in the first month alone, and has been credited as being the first book to introduce both Chinese and foreign readers to Mao Zedong. It is still used today as an introduction to the early Communist movement in China. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eScarce. \u003c\/b\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800242\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208352580,"sku":"1800242","price":400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800242.jpg?v=1788803718"},{"product_id":"pop-up-book-tip-top-go-camping-1800241","title":"POP UP BOOK Tip + Top Go Camping","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLarge 4to., decorative green cloth-backed pictorial boards, featuring the two main characters along with a host of animals in the woodland; containing 6 wonderful dual-page pop ups with the running story beneath, all in full colour with additional moving parts to each image; covers a little rubbed and chipped at edges, some light spotting internally, mostly affecting the versos of images; all parts in full working condition with no restorations; a wonderful example. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst edition \u003c\/b\u003eof this charming children’s pop up, printed in Czechoslovakia with designs by V. Kubašta. \u003c\/p\u003e\u003cp\u003eThis wonderful story follows Tip and Top on their camping trip, introducing children to the animals they meet on the way, including foxes, badgers, deer, wild boar and even bears. The moving parts see the bears playing on a see-saw while Top scampers up a tree behind, and a plume of smoke from the camp fire revealing the character’s tasty meal beneath. \u003c\/p\u003e\u003cp\u003eVojtěch Kubašta was a Czech architect, artist and paper designer whose first fairy tale pop-up book - Little Red Riding Hood - was produced in 1956. This launched his lengthy relationship with the publishing company ARTA, and his designs were subsequently published in 24 different languages, selling 35 million copies worldwide. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800241\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208385348,"sku":"1800241","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800241.jpg?v=1788803719"},{"product_id":"neruda-pablo-we-are-many-1800240","title":"NERUDA, Pablo We are Many","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSmall square 4to., original handmade textured paper boards, lettered in gilt to spine; together in the matching handmade paper dustwrapper lettered in red to front panel and spine; unpaginated [pp. 32 pages of poems printed in red on cream paper, + 2 photographic leaves; + die cut title page in the shape of a hammer by Jim Dine + additional card leaf with a facsimile handwritten note by Neruda]; the book very near fine, with some light spotting offset from bookplate to ffep; the wrapper with some splits and chips to the ends of spine and folds, and with a couple of faint panels of sunning to the front panel. \u003ci\u003eProvenance\u003c\/i\u003e: from the collection of noted book collector Garech Browne, with his bookplate to the front paste-down. \u003c\/p\u003e\u003cp\u003eLimited edition, \u003cb\u003eone of just 100 copies specially bound\u003c\/b\u003e in hardcovers, \u003cb\u003enumbered and signed by both Neruda and Reid to the title page\u003c\/b\u003e. This copy no. 4. Each of the poems are offered in both English and the original Spanish, either to a single page or on facing pages. \u003c\/p\u003e\u003cp\u003eA wonderful collection of poems by Pablo Neruda, containing two photographs, one a portrait of the poet by Hans Ehrman. The facsimile note to the rear reads: “I am arriving in London on the 1st or 2nd July invited by Ted Hughes. Will be 10 days. Hope to see you every one of them. Always, Pablo”. The title poem explores Neruda’s sense of self, and the many facets of a single man. A similar theme is echoed in ‘Too Many Names’, in which he writes: \u003c\/p\u003e\u003cp\u003e\u003ci\u003eNo one can claim the name of Pedro,\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003enobody is Rosa or Maria,\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eall of us are dust or sand, \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eall of us are rain under rain\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eOther themes include death, innocence, cruelty, hunger and poverty, with several references to his homeland. ‘Galloping in the South’ likely refers to his time as a political fugitive and his escape over the Andes. \u003c\/p\u003e\u003cp\u003eGarech Domnagh Browne (1939 – 2018) was an eccentric art collector who amassed a legendary collection of over 20,000 rare books and manuscripts at his famous Gothic estate in County Wicklow. A patron of the arts, he founded Claddagh Records, was a patron of the arts, and was associated with a swathe of musicians, writers and poets, including among his many friends Seamus Heaney, Ted Hughes, Robert Graves and Samuel Beckett, as well as Mick Jagger, Paul McCartney, Bono and Michael Jackson. \u003c\/p\u003e\u003cp\u003eA wonderful example. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800240\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208418116,"sku":"1800240","price":1000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800240.jpg?v=1788803719"},{"product_id":"maugham-somerset-the-constant-wife-a-comedy-in-three-acts-1800238","title":"MAUGHAM, Somerset The Constant Wife. A comedy in three acts.","description":"\u003cp\u003e8vo., publisher’s glazed black cloth with two contrasting yellow title labels lettered and ruled in black to upper cover and backstrip; outer edge untrimmed; together in the yellow printed dustwrapper (priced $2.00 net to spine) which contains numerous reviews of both the present play and others, as well as several of Maugham’s other works; pp. [xii], 11-216, [ii]; with photographic frontis of Ethel Barrymore; an excellent, fresh copy, a little scuffed at corners and spine tips, the backstrip a little yellowed; some light toning to the text block and some marking from the bookplate residue to the front paste-down; early New York bookseller sticker to the rear paste-down; the wrapper a little shelf darkened to panels, with a couple of ink stains to the lower and some light rubbing\/nicking to extremities; one neat tape repair to the verso. A very good example overall. \u003ci\u003eProvenance\u003c\/i\u003e: Previously in the collection of Edward Wassermann, with his Ex Libris tipped in to the front paste-down. \u003c\/p\u003e\u003cp\u003eEarly edition, with the first US dustwrapper correctly priced to backstrip. This copy \u003cb\u003ewarmly inscribed by Maugham to the front free endpaper\u003c\/b\u003e: “For Eddie Wassermann \/ W. Somerset Maugham”. \u003cb\u003eAbove, Maugham has boldly written ‘The author’s favourite play’ in the same pen.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eMaugham’s marital comedy concerning infidelity and ill manners revolves around Constance Middleton, who has for a long time been well aware of the affair between her husband and her best friend, Marie-Louise. As the full extent is publicly exposed, Constance chooses to embrace the opportunity to create an independent life for herself, starting a new job, paying her husband for room and board, and taking on her own lover. \u003c\/p\u003e\u003cp\u003eFirst appearing at the Ohio Theatre in Cleveland on November 1st 1926, Ethel Barrymore (pictured here) played the title role, and so enamoured was Maugham with the casting that the book is even dedicated to her. He later claimed that her performance was the best he had seen in any of his plays.\u003c\/p\u003e\u003cp\u003eThis book previously in the collection of Clive Hirschhorn, the prominent author, film historian, and former journalist who served as theatre critic for The Sunday Express from 1966 to 1995. Hirschhorn is noted for conducting what is considered to be Judy Garland’s final interview, and throughout his career he interviewed such stars as Gene Kelly, Alfred Hitchcock, Marlene Dietrich, Frank Sinatra, Woody Allen, Mel Brooks, Jack Nicholson, Tennessee Williams, and numerous others. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800238\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208450884,"sku":"1800238","price":550.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800238.jpg?v=1788803720"},{"product_id":"lowell-percival-the-mars-trilogy-mars-mars-and-its-canals-mars-as-the-abode-of-life-with-signed-postcard-1800237","title":"LOWELL, Percival The Mars Trilogy; Mars, Mars and its Canals; Mars as the Abode of Life [with] signed postcard","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLarge 8vos., 3 vols; red, green and maroon cloth, respectively, each volume lettered in gilt to upper covers and spine; Vol I adding a motif of the martian surface; Vol III adding gilt borders; all upper edges gilt; pp. [ix], vi-viii, [i], 2-228, [iv]; [vii], viii-xv, [iii], 3-393, [iii, ads]; [viii], vii-xix, [iii], 288, [viii, ads]; with numerous black and white plates, photographs, maps and diagrams throughout along with two in colour, the frontis in each case behind mounted tissue (lacking in Vol III); very good copies, with some rubbing and soiling to boards, particularly along the backstrip of Vol I; previous owner’s stamp [James Stevenson] to the front paste-down of the same, along with an early bookseller’s sticker; all volumes with light rubbing and nicking to the cloth at spine tips; light spotting mostly affecting the prelims of Vols I and II, a little soiling to the tissue of Vol II, else clean internally. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst U.S. editions all. A complete set of Lowell’s works on the subject of Mars\u003c\/b\u003e, here with the addition of a \u003cb\u003ehandwritten postcard\u003c\/b\u003e, the recto of which shows a portion of a grecian fresco. To the verso, Lowell has written to an unidentified recipient, M. A[?], in the still picture of your setting out - was your sternly sentimental journey (journeé you know, a summer’s day) like the reminiscence within - R. L.”\u003c\/p\u003e\u003cp\u003eLowell was born in 1855, and graduated from Harvard in 1876 with distinction in mathematics. With a strong interest in astronomy, his graduation speech concerned the nebular hypothesis (the most widely accepted theory concerning the origins of the universe), still considered to be quite groundbreaking at the time. After travelling extensively in Asia as a diplomat and writing a series of travel books, Lowell returned to America in 1893, determined to study the planet Mars. In particular, his interest stemmed from the writings of the astronomer Giovanni Schiaparelli, who first postulated that there may be canals on the Martian surface. Using his wealth and influence, Lowell founded an observatory in Flagstaff, Arizona, and began to observe the heavens. For the following 15 years he made intricate drawings of the lines appearing on the surface of the planet, many of which are reproduced in his first work on the subject, \u003ci\u003eMars\u003c\/i\u003e, which appeared in 1985 to great commercial success. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eMars and Its Canals \u003c\/i\u003efollowed in 1906, and contained a printed dedication to Schiaparelli ‘the Columbus of a new planetary world’. This second work continued Lowell’s hypothesis concerning the existence of these canal-like structures, and through his theories he undoubtedly contributed to the advancement of astronomy, the discovery of the planet Pluto (in 1930 by Clyde Tombaugh), and to popular literature (it is said that H. G. Wells’ ‘War of the Worlds’ was directly inspired by his findings, with the author making the quite natural conclusion that aliens from a dying planet may well wish to invade another). Some of the most interesting hypotheses in this second work are found in the chapters on Vegetation (in which he postulates that the observable blue-green areas of the planet are not oceans, but vast forests), and ‘Life’ (concluding that the presence of water and other forms of life necessitate further intelligent beings). \u003c\/p\u003e\u003cp\u003eThe final book, \u003ci\u003eMars as the Abode of Life\u003c\/i\u003e was published just two years later, and developed out of a series of lectures given by Lowell at the Lowell institute. So popular were these talks that the audience spilled out of the lecture theatres, and they had to be repeated again in the afternoons, with just as many in attendance. First published in \u003ci\u003eCentury Magazine\u003c\/i\u003e, they then appeared in book form in 1908. The subjects take as their focus planetary evolution; how Mars came to be and how it differs from Earth. \u003c\/p\u003e\u003cp\u003eOf all of his theories, Lowell is perhaps best remembered today for popularising the belief that the martian canals were built by extra-terrestrial life in order to tap into melting polar ice caps. It wasn’t until 1960 that it was proven, by NASA, that the ‘canals’ were in fact an optical illusion. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eRare as a set, even more so with the handwritten notecard.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800237\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208483652,"sku":"1800237","price":2250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800237.jpg?v=1788803720"},{"product_id":"king-stephen-christine-1800236","title":"KING, Stephen Christine","description":"\u003ch3 style=\"font-variant: small-caps\"\u003e“PAST THE CHROME GRIN OF THE CAR’S WIDE RADIATOR GRILLE CAN BE GLIMPSED THE JAWS OF HELL ITSELF”\u003c\/h3\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., black publisher’s boards, spine lettered typographically in gilt to spine with publisher’s device to foot; housed in the original unclipped pictorial dustwrapper (£8.95 net to front flap) featuring an illustration by Gerald Grace and a design by Ian Hughes; pp. [viii], 482, [vi]; the book near-fine, tiny bump to foot of spine and a couple of light spots to the upper edge of the text block and the first couple of prelim pages; the wrapper similarly near-fine, a couple of light creases and scratches, with corner crease to front flap, possibly to once obscure the price. The book is now housed in a custom-made red clamshell case by Wyvern Bindery, lettered in black and silver to spine with black velvet inlays. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst UK edition\u003c\/b\u003e. This copy \u003cb\u003ewarmly inscribed by the author in the year of publication\u003c\/b\u003e to the ffep: “To Patricia \/ with best wishes \/ Stephen King \/ 5\/11\/83”. \u003c\/p\u003e\u003cp\u003eKing’s thirteenth horror novel, a relatively early work in his now prolific line of some 60 books, beginning in 1974 with Carrie. His most recent offering, \u003ci\u003eOther Worlds than These\u003c\/i\u003e, is due for release next month, October 2026. For this title, King was reportedly inspired while out driving one evening, and watching his odometer change from 9999.9 to 10,000, leading him to imagine a vehicle that became younger instead of older. \u003ci\u003eChristine\u003c\/i\u003e takes as its focus the character of Arnie Cunningham, a high school student, who buys a red and white 1958 Plymouth Fury which he later discovers is possessed by supernatural forces. As he begins to restore the vehicle to its former glory, his obsession leads him to become “fired by an alien desire for revenge on a hostile world…he becomes no longer the possessor but the possessed”. \u003c\/p\u003e\u003cp\u003ePublished just a few years after the great success of Kubrick's adaptation of \u003ci\u003eThe Shining\u003c\/i\u003e, Christine appeared to mixed reviews, and is sometimes referred to as a ‘banned book’, due to the restrictions placed on it by the American Library Association, which challenged its accessibility due to its adult content, profanity, violence and alcohol\/drug-related references. In December 1983 a film adaptation appeared, starring Keith Gordon in the lead role. \u003c\/p\u003e\u003cp\u003eA lovely example. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800236\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208516420,"sku":"1800236","price":1200.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800236.jpg?v=1788803721"},{"product_id":"kashmir-lacquered-and-leather-document-folder-1800235","title":"KASHMIR Lacquered and leather document folder","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA large, fine leather document folder; comprised of two lacquered boards (each 25.5 x 35.5cm) highly and elaborately decorated with intricate floral and leaf devices in black and gilt; central device of a blue flower with surrounding green foliage; joined by a black leather spine, the lacquering continuing to one side; to the other two brown leather document sleeves; some rubbing and scratching to boards and the paintwork beginning to peel along the backstrip; very small portions of the lacquer chipped; the leather a little rubbed and cracked internally, with some ink splashes and document wallets beginning to peel away; a highly attractive piece. \u003c\/p\u003e\u003cp\u003eA wonderfully decorative document folder, with the Ganemede\/Srinagar\/Kashmir makers mark along with the number to the internal spine. Ganemede was a celebrated artisan, artist, and maker of handcrafted papier-mâché, lacquerware, and carved walnut furniture based in Srinagar, Kashmir, who was active between 1890 and 1930. Operating out of Srinagar (close to the Third Bridge\/Fateh Kadal), he catered heavily to British military officers, tourists, and the colonial Anglo-Indian market.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800235\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208549188,"sku":"1800235","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800235.jpg?v=1788803722"},{"product_id":"hall-radclyffe-the-well-of-loneliness-1800234","title":"HALL, Radclyffe The Well of Loneliness","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLarge 8vo., purple\/brown cloth over orange paper-covered boards, spine lettered in black; outer edges untrimmed; pp. [xv], 4-506, [ii]; spine faded, with nicks at head and foot of spine, the lower board cracked along the cloth and along the joint to the final page, but holding; a couple of small scratches; previous typed catalogue description from the American Anthropological Society in New York City to the front paste-down; contemporary owner’s inscription to the ffep; aside from a few pencil marks, internally clean; ‘7120’ stamped to rear endpaper. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe First Authorised American edition, limited to just 500 handnumbered copies\u003c\/b\u003e of which 475 were for sale. This copy no. 274. A commentary is provided by Havelock Ellis, in which he writes that “it is the first English novel which presents, in a completely faithful and uncompromising form, one particular aspect of sexual life as it exists to-day”.\u003c\/p\u003e\u003cp\u003eRadclyffe Hall’s \u003ci\u003eWell of Loneliness \u003c\/i\u003eis her most infamous and best-known work. It was in her early adulthood that Hall began to find her voice, dressing in men’s fashion and referring to herself as a ‘congenital invert’, a term taken directly from  the writings of Havelock Ellis. She met and fell in love with singer Mabel Batten, and later formed a relationship with Batten’s cousin, Una Troubridge. Hall had begun her writing career in poetry, and had published a series of books with varying success for over 20 years between 1906 and 1926. At the end of that year, she began to write her first work of lesbian fiction, which would later become \u003ci\u003eThe Well of Loneliness\u003c\/i\u003e. The plot follows Stephen Gordon, a masculine lesbian who, like Hall, identifies as an ‘invert’. Despite the lack of sexual content, the book was immediately subject to an obscenity trial, with  James Douglas, editor of the Sunday Express, famously writing that \"I would rather give a healthy boy or a healthy girl a phial of prussic acid than this novel.\" The British court judged it obscene because of its defence of \"unnatural practices between women\", and the verdict ordered the immediate destruction of all copies of the book. It was not published again in England until 1949, though in the US it was printed after a lengthy court battle. Happily the trial, if anything, did more to increase awareness surrounding homosexuality than suppress it, and it became known as the first source of information about lesbianism that young people could find. It is now considered to be the predecessor to the golden age of lesbian pulp fiction.      \u003c\/p\u003e\u003cp\u003eThe American Anthropological Society adds that The Well of Loneliness is “the most striking contribution to English letters since James Joyce’s Ulysses, and because of its suppression in the land of its birth, one of the most discussed books of modern times.” \u003c\/p\u003e\u003cp\u003e\u003cb\u003eA rather scarce, early edition of this highly important banned book. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800234\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208581956,"sku":"1800234","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800234.jpg?v=1788803722"},{"product_id":"graves-robert-john-kemp-s-wager-in-the-british-drama-league-library-of-modern-british-drama-no-11-1800233","title":"GRAVES, Robert John Kemp’s Wager [in] The British Drama League Library of Modern British Drama, No. 11","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSmall 8vo., parchment-backed paper-covered boards with onlaid decorative title labels printed in green and black to both covers; spine lettered in gilt; outer edges untrimmed; contained, unusually, in the original publisher’s glassine; pp. [x], xi-xv, [i], 75, [v]; an excellent, near-fine example with just a hint of rubbing to the outer edges of boards and the odd spot internally; seemingly unread, with many pages entirely unopened; the glassine with some nicks and short closed tears; chip to foot of spine; seldom found at all. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eLimited edition. This copy no. 2 of just 100 copies\u003c\/b\u003e printed on Kelmscott handmade paper, \u003cb\u003ehand numbered and signed by Robert Graves\u003c\/b\u003e to the limitation page. The text was selected by the reading committee of the British Drama League. \u003c\/p\u003e\u003cp\u003eA lyrical ballad opera, inspired by traditional English folklore, which centres around the protagonist John Kemp, a character based on a real-life Elizabethan actor, dancer and entertainer who once danced from London to Norwich. The plot follows Kemp as he accepts a wager to perform a series of musical and physical tasks which include Morris dancing, fighting and more. Graves intended for the play to be set to music, and in one recorded letter wrote that he had the specific notion of commissioning Vaughan Williams to write the corresponding opera - a project which sadly never came to fruition. \u003c\/p\u003e\u003cp\u003eWritten just a few years after the end of the Second World War, the play represents a specific shift in Graves’ influences, embodying the mythical, poetic and traditional elements which would later define his writing style. \u003c\/p\u003e\u003cp\u003eOne of Graves’ more obscure plays, and this particular example early in the limitation run. \u003cb\u003eRare with the glassine.  \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800233\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208614724,"sku":"1800233","price":650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800233.jpg?v=1788803722"},{"product_id":"frazier-charles-cold-mountain-1800232","title":"FRAZIER, Charles Cold Mountain","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLarge 8vo., sandy-coloured boards lettered in metallic blue to spine; map endpapers showing the Southern Blue Ridge Mountains; together in the matching unclipped dustwrapper (£14.99 to front flap); with a photograph by Eric Rank; pp. [viii], 357, [iii]; a little bumped at spine tips, but otherwise a fine copy in the near-fine dustwrapper which is just a little sunned to the backstrip. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst UK edition\u003c\/b\u003e, with full number line 1-10. This copy \u003cb\u003esigned by the author\u003c\/b\u003e in blue ink to the title page, and additionally \u003cb\u003esigned beneath by Anthony Minghella, director of the film adaptation. \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eFrazier was born and raised in North Carolina, and later taught English at the University of Colorado Boulder and at North Carolina State. It was during this time that he began to write Cold Mountain, a novel set during the American Civil War which follows W. P. Inman, a wounded deserter, in his attempts to walk for months across the mountains and countryside to reunite with the woman he loves. It was at the behest of his wife (who encouraged him to quit teaching in order to focus on writing) and after the backing from his friend and author Kaye Gibbons (who presented his unfinished novel to her literary agency), that the novel was eventually published. Evoking striking descriptions of the North Carolina landscape which the author called home, the work drew strongly both on local history, and stories passed down from Frazier’s father and great-great-uncle, the latter whom in fact inspired the protagonist, having served in the confederate army and who did indeed desert after being wounded twice in action. \u003c\/p\u003e\u003cp\u003eThe book was an instant success, selling over three million copies worldwide. In 2003, it was adapted into an Academy Award-winning film with a star-studded cast including Jude Law, Nicole Kidman and Renée Zellweger. \u003c\/p\u003e\u003cp\u003e\u003cb\u003e The first UK edition is considerably scarcer than the US. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800232\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208647492,"sku":"1800232","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800232.jpg?v=1788803723"},{"product_id":"fleming-ian-the-spy-who-loved-me-1800231","title":"FLEMING, Ian The Spy Who Loved Me","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., blue boards lettered in black to spine; striking pictorial dustwrapper by Cuthill showing Viv running through a snowy landscape; pp. [viii], 9-189, [iii]; the book very good, a few marks to boards, lightly spotted to edges, some tape marks to paste-downs; the wrapper also very good, retaining much of its colour, with overall shelf wear and dustiness, some nicking\/chipping, and tape marks mostly apparent to the verso. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst Foyles Book Club edition\u003c\/b\u003e, the eighth in the series, with the lowest print run of all of the editions since Diamonds are Forever. The shortest and most sexually explicit of the Bond novels, told from the perspective of Vivienne Michel, a fictional character but credited as Fleming’s ‘co-writer’.  Published in the same year as the first. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800231\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208680260,"sku":"1800231","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800231.jpg?v=1788803723"},{"product_id":"fleming-ian-on-her-majesty-s-secret-service-1800230","title":"FLEMING, Ian On her Majesty’s Secret Service","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., pale blue publisher’s boards, spine lettered in black; dustwrapper designed by Cuthill showing Bond escaping from Piz Gloria; pp. [viii], 9-255, [i]; very good with a few marks and scratches; spotting to edges; staple marks to paste-downs; the wrapper good to very good, spotted and a little soiled with some light nicks to spine tips; tape marks to verso.  \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst Foyles Book Club edition\u003c\/b\u003e, published in the same year as the first. Here, Fleming reintroduced Blofeld and SPECTRE, and sets much of the action in the snowy mountains, having been inspired in part by a recent trip to Engadine near St Moritz. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800230\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208713028,"sku":"1800230","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800230.jpg?v=1788803724"},{"product_id":"fleming-ian-you-only-live-twice-1800229","title":"FLEMING, Ian You Only Live Twice","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., dark blue boards lettered in black to spine; vibrant dustwrapper designed by Cuthill depicting Dr Shatterhand and Irma Bunt patrolling their ‘Garden of Death’; pp. [xii], 13-184; a very good copy with a couple of bumps, lightly foxed to edges and offset to endpapers; the wrapper good to very good, the front panel remaining vibrant but the others with some browning and spotting, lightly rubbed and nicked to edges. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst Foyles Book Club edition\u003c\/b\u003e, printed in a run of 70,000 copies. The final installment in Fleming’s ‘Blofeld Trilogy’, in which the author used much of his war-time experience to describe intelligence-gathering operations, code-breaking, ciphers and cryptography alongside his recent experiences in Japan. Printed in the same year as the first. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800229\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208745796,"sku":"1800229","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800229.jpg?v=1788803724"},{"product_id":"eliot-t-s-old-possum-s-book-of-practical-cats-1800228","title":"ELIOT, T.S. Old Possum’s Book of Practical Cats","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLarge 4to., publisher’s blue boards with a drawing in line by Axel Scheffler imprinted in gilt to the upper cover; lettered in gilt to spine with publisher’s device to foot; decorative cat endpapers; contained in the original unclipped pictorial dustwrapper (£14.99 to front flap); pp. [viii], 64; containing numerous illustrations throughout in full colour by Scheffler; aside from a couple of tiny dinks essentially a fine copy in the like dustwrapper. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst edition thus\u003c\/b\u003e, with full number line 1-10. This copy neatly \u003cb\u003einscribed by the illustrator to the title page:\u003c\/b\u003e “To Sheila \u0026amp; Susan! \/ Axel Scheffler \/ London 26.10.09” \u003cb\u003ewith an original ink doodle of a cat waving \u003c\/b\u003ebeneath. \u003c\/p\u003e\u003cp\u003eA wonderful illustrated edition of Eliot’s classic collection of cat poems, published by Faber in line with the 70th anniversary of the book’s original publication in 1939, and the 80th anniversary of the founding of Faber and Faber. The enigmatic drawings by Scheffler, perhaps best known for his rendition of Donaldson’s \u003ci\u003eGruffalo\u003c\/i\u003e, include cats conducting choirs of mice, travelling on barges, dancing on rooftops and getting up to much more mischief besides. Perhaps most famously, the collection contains Eliot’s humorous poem \u003ci\u003eMacavity: The Mystery Cat\u003c\/i\u003e, concerning a thieving ginger cat who constantly evades capture by the police: \u003c\/p\u003e\u003cp\u003e\u003ci\u003eMacavity’s a Mystery Cat: he’s called the Hidden Paw - \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eFor he’s the master criminal who can defy the Law.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eHe’s the bafflement of Scotland Yard, the Flying Squad’s despair: \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eFor when they reach the scene of crime - Macavity’s not there!\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003eA lovely inscribed copy. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800228\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208778564,"sku":"1800228","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800228.jpg?v=1788803725"},{"product_id":"dryden-john-the-indian-emperour-or-the-conquest-of-mexico-by-the-spaniards-1800227","title":"DRYDEN, John The Indian Emperour; or, the Conquest of Mexico by the Spaniards","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e4to., 20th century binding of half brown sheepskin over rust-coloured cloth, spine lettered and dated vertically in gilt; pp. [viii], 60, [iv], containing an Epistle Dedicatory to Princess Anne, Duchess of Monmouth, a prologue, an epilogue, and a two-page printer’s catalogue to rear; a very good copy, some overall browning and occasional spot in accordance with age. \u003ci\u003eProvenance\u003c\/i\u003e: Duncan Grant’s ownership name in pencil to the ffep, dated 6th November 1946. \u003c\/p\u003e\u003cp\u003eAn early edition of this heroic drama, first performed in the Spring of 1665, which concerns the Spanish conquest of the Aztec Empire under Hernán Cortés. Noted at the time especially for its lavish costumes, the original production included a \"gorgeously feathered cloak\" that Aphra Behn had brought back from Surinam, along with \"glorious wreaths for...heads, necks, arms, legs.\" It was revived in 1667, with Nell Gwyn as Cydaria and Mary Knep in the role of Alibech.  Voltaire later borrowed from the play for his own drama, Alzire.  \u003c\/p\u003e\u003cp\u003eThis copy from the collection of influential American Literature professor Duncan Grant (1921-1969), who taught at Leeds University from 1960-1969. In his research capacity, he produced a series of papers on figures such as Sterne Dryden, Pope and James Thomson. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800227\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208844100,"sku":"1800227","price":300.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800227.jpg?v=1788803725"},{"product_id":"dryden-john-tyrannick-love-or-the-royal-martyr-a-tragedy-1800226","title":"DRYDEN, John Tyrannick Love; or, the Royal Martyr. A Tragedy","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e4to., 20th century binding of half brown sheepskin over rust-coloured cloth, spine lettered and dated vertically in gilt; pp. [x], 59, [iii], containing an Epistle Dedicatory, a Preface by Vale, a Dramatis Personae, and a two-page printer’s catalogue to rear; ever-so-slight bubbling to cloth; some overall browning internally; a very good example. \u003ci\u003eProvenance\u003c\/i\u003e: Duncan Grant’s ownership name in pencil to the ffep, dated 6th November 1946. \u003c\/p\u003e\u003cp\u003eAn early edition of Dryden’s heroic play, which was first performed in June 1669, and first published in 1670. It is based on the legend of the martyrdom of St Catherine and the Roman emperor Maximin, who became enraged after her refusal to submit to his violent sexual passions. Reportedly written in just seven weeks, it notably contains some of Dryden's most extravagant heroic verse. The casting of Nell Gwyn as the tyrant's daughter Valeria was particularly well received. When two stagehands came onstage to carry off Valeria's corpse, Gwyn famously jumped up and assumed her genuine identity, still in costume, to deliver the epilogue. \u003c\/p\u003e\u003cp\u003eThis copy from the collection of influential American Literature professor Duncan Grant (1921-1969), who taught at Leeds University from 1960-1969. In his research capacity, he produced a series of papers on figures such as Sterne Dryden, Pope and James Thomson. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800226\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208876868,"sku":"1800226","price":300.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800226.jpg?v=1788803726"},{"product_id":"dryden-john-secret-love-or-the-maiden-queen-1800225","title":"DRYDEN, John Secret-Love, or the Maiden-Queen","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e4to., 20th century binding of half brown sheepskin over rust-coloured cloth, spine lettered and dated vertically in gilt; pp. [xiii], 2-66, [ii], containing a preface, two prologues a dramatis personae and an epilogue ‘written by a person of honour’; slight rubbing to leather along backstrip; a couple of spots and creases, light toning in accordance with age, endpapers lightly offset; a very good example, with ‘JD’ in ink to the title page. \u003ci\u003eProvenance\u003c\/i\u003e: Duncan Grant’s ownership name in pencil to the ffep, dated 6th November 1946. \u003c\/p\u003e\u003cp\u003eThe 1669 impression of the First Edition, first acted by the King's Company at the Theatre Royal, Drury Lane (which had escaped the Great Fire of London just the year before). More commonly known by its sub-title, the play was a huge success upon opening night, boasting among its audience member King Charles II, his brother the Duke of York and future King James II, and Samuel Pepys, the latter of whom later praised the performance of Nell Gwyn, writing in his diary that \"so great performance of a comical part was never, I believe, in the world before....\" He returned to see the play eight more times.  In 1672 the play appeared again with a new cast composed entirely of women. \u003c\/p\u003e\u003cp\u003eThis copy from the collection of influential American Literature professor Duncan Grant (1921-1969), who taught at Leeds University from 1960-1969. In his research capacity, he produced a series of papers on figures such as Sterne Dryden, Pope and James Thomson.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800225\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208909636,"sku":"1800225","price":300.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800225.jpg?v=1788803726"},{"product_id":"donaldson-julia-tabby-mctat-1800224","title":"DONALDSON, Julia Tabby McTat","description":"\u003ch3 style=\"font-variant: small-caps\"\u003eSIGNED BY AUTHOR AND ILLUSTRATOR, WITH A DOODLE\u003c\/h3\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLarge 4to., illustrated laminate boards in full colour and gilt; together in the matching unclipped dustwrapper (£10.99 to front flap) with ‘By the creators of The Gruffalo’ circular sticker to the upper panel; decorative green cat endpapers; pp. [xxxii]; very minimal bump to head of spine, else fine; the wrapper very near fine, aside from light creasing mostly affecting the spine tips, and a short 2cm closed tear to the foot; the book is now housed in a custom-made navy blue slipcase.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst edition\u003c\/b\u003e, with full number line 1-9 as called for. This copy additionally \u003cb\u003esigned by both Donaldson and Scheffler \u003c\/b\u003eto the title page, the latter providing a \u003cb\u003edoodle of a cat \u003c\/b\u003ewith a speech bubble and musical notation beneath his name.  \u003c\/p\u003e\u003cp\u003eDonaldson’s seventeenth collaborative work with Axel Scheffler, who here provides his now instantly-recognizable illustrations to this wonderful children’s story.  Here, the story follows the ‘tail’ of a busker’s cat, who is separated from his owner after an unfortunate accident. Despite trying to forge a new life for himself as a domesticated moggy, and even having a family of his own, he eventually sets out to try and find his Fred. Can Tabby reconcile his old life with the new? \u003c\/p\u003e\u003cp\u003eSpeaking of her inspirations for the story, Donaldson later claimed in an interview that “I’ve always been a cat lover… And as I’ve been a busker myself, I thought Tabby could be a busker’s cat.” “In a way, Tabby McTat is my most complex picture book, because instead of it simply being about someone who has an aspiration, or somebody who faces difficulties but gets what they want in the end, it’s about being torn”, she continued, “To begin with, Tabby just wants to get back to Fred the busker, who he’s been separated from. Then he falls in love and has a family, but he still thinks about Fred and is torn between the two – until that gets resolved”. \u003c\/p\u003e\u003cp\u003eAnother charming children’s story from this now award-winning and much revered duo. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800224\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208942404,"sku":"1800224","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800224.jpg?v=1788803727"},{"product_id":"cleland-john-memoirs-of-fanny-hill-a-woman-of-pleasure-1800223","title":"CLELAND, John Memoirs of Fanny Hill. 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This copy no. 72. \u003c\/p\u003e\u003cp\u003eThe early life of John Cleland is mostly unrecorded. Born in Kingston, he attended Westminster School before being employed in the service of the East India Company. He lived in Bombay until 1740, when he travelled back to England, destitute and unemployed. By 1748 his fortunes had fallen so much further that he was imprisoned for unpaid debts. It is likely that \u003ci\u003eFanny Hill \u003c\/i\u003ehad been written in several installments before this time, but it was finalised while Cleland was serving his year of time in Fleet prison. \u003c\/p\u003e\u003cp\u003eThe plot centres around Frances 'Fanny' Hill, by then a rich English woman, who is asked to recount the exploits of her early life through a series of letters to an unnamed acquaintance. The reader follows Fanny through her first experiences of a brothel, her first love and a series of sexual experiences with multiple partners, both men and women. These include the loss of her virginity, group activities and sado-masochism. \u003c\/p\u003e\u003cp\u003eThe first editions of the book appeared in installments, with the first published in November 1748 and the second in February 1749. Cleland’s release from prison in March 1749 was unsurprisingly short lived when he was arrested again, along with the publisher and printer of \u003ci\u003eFanny Hill\u003c\/i\u003e, in November of the same year. He subsequently disavowed the book, claiming in court that he \"wish[ed] from my Soul\", that the book be \"buried and forgot\". It was withdrawn and not legally published again for over a hundred years, although it of course continued to sell well in pirated editions. It remained suppressed in an unexpurgated form until 1962 in the US, and 1970 in the UK. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eFanny Hill\u003c\/i\u003e is of particular note for its clever use of language and its use of euphemism. Explicit language and swear words are completely absent, and Cleland uses literary devices to describe genitalia (referring, in several instances, to a woman’s ‘nethermouth’). Indeed in a later letter to Boswell in 1772, Cleland claimed that he had first written \u003ci\u003eFanny Hill\u003c\/i\u003e whilst in Bombay, in an attempt to demonstrate that it was possible to write about prostitution without using vulgar terms. \u003c\/p\u003e\u003cp\u003eThis particular edition is notable for its erotic plates, which were reserved for subscribers only. It utilises the earliest original and most complete known text. \u003c\/p\u003e\u003cp\u003eRare thus. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800223\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198208975172,"sku":"1800223","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800223.jpg?v=1788803727"},{"product_id":"churchill-winston-an-original-telegram-to-the-lt-commanding-officer-in-the-first-battalion-worcestershire-regiment-in-kluang-1800222","title":"CHURCHILL, Winston An original telegram to the Lt Commanding Officer in the First Battalion Worcestershire Regiment in Kluang","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAn original telegram [20.5 x 15.5cm]; the verso with postage stamp in Kluang dated 1st June 1951 and with ‘LT. Commanding Off \/ Worcester Regt \/ Kluang’ written in pencil; the recto a printed receiving form dated in type 31 31 1745 and headed ‘Lt Commanding Officer First Battalion Worcestershire Regiment Kluang’. Below the telegram message reads ‘= Please thank all Ranks for kind message on glorious first of June may the great traditions of the Worcesters ever continue = Winston Churchill’; the telegram itself fragile, with some creases, nicks and rust marks; a little loss at extremities and browned in accordance with age but else a remarkable survival. \u003c\/p\u003e\u003cp\u003eA superb and important document. \u003c\/p\u003e\u003cp\u003eChurchill’s reference to the 1st June is historic. In 1794 during the French Revolutionary Wars, members of the 29th Regiment of Foot fought aboard a series of ships including HMS Brunswick, where they suffered considerable losses but eventually achieved a great Naval victory. They were subsequently permitted to bear the Naval Crown and the anniversary became one of the regiment’s greatest traditions. The regiment was later amalgamated in 1881 with two others to become the Worcesters.\u003c\/p\u003e\u003cp\u003eThe 1st Battalion Worcestershire Regiment went on to serve in Malaya during the Malayan Emergency, arriving in Singapore in June 1950 and undertaking a three-year tour. At the time, Churchill was leader of the opposition, having lost the 1945 election. He would reprise the role of Prime Minister in October 1951. On 1st June the HMS Worcester held its First of June ceremony, during which time anniversary greetings were sent via telegrams, one directly to Churchill. The commanding officer at the time was A. H. Gilmore.\u003c\/p\u003e\u003cp\u003eThis particularly charming response is poignant. Despite no longer being Prime Minister, Churchill maintained a personal connection to the regiment who had a strong Naval history - a particularly appropriate one given his own long association with the Royal Navy and his service as First Lord of the Admiralty. \u003c\/p\u003e\u003cp\u003eA unique item. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800222\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209007940,"sku":"1800222","price":850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800222.jpg?v=1788803728"},{"product_id":"a-collection-of-mimeographed-notes-on-leader-s-speeches-1800221","title":"A collection of mimeographed notes on leader’s speeches","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e7 leaves, A4; 11 pages of printed text, two manuscript; the mimeographed sheets printed both in black and blue on pink and white washi paper; the manuscript leaf in blue in on white washi paper; text in simplified Chinese characters; some creasing, nicking and short closed tears to edges, along with the odd rust mark; the manuscript leaf with some paper reinforcement to the outer margin of verso; very good.\u003c\/p\u003e\u003cp\u003eA collection of mimeographed notes from the 1970s, containing notes taken from the speeches of China’s leaders, including Chairman Mao and Premier Zhou. The handwritten notes are taken from a speech given by Geng Biao. \u003c\/p\u003e\u003cp\u003eThe contents include: \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003eThree pages concerning Chairman Mao’s suggestions and orders on party leadership, as well as the military and diplomacy in 1974.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOne page on Premier Zhou Enlai’s efforts to strengthen China’s development and the study of Science in Universities\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eNotes on Wang Zhen’s talk to a political research meeting, dated 30th November 1976\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eA summary of Wu De’s speech to the Standing Committee of the National People’s Congress\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOne page of notes on Chen Yun and Tan Zhenlin’s speeches at a small group meeting in the third session of the Fourth National People’s Congress, dated 2nd December 1976\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOne and a half pages of mimeographed notes on Geng Biao’s speech at a conference criticising the Gang of Four because they had usurped power and proven themselves to be class enemies. Each member of the gang was singled out for criticism because of extravagance, broadcasting misdemeanours, memoirs or documents they had written, wasteful clothing purchases, etc. Dated 6th November 1976\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOne and a half pages of mimeographed notes on comments by Hua Guofeng and Li Xiannian, in which the downfall of the Gang of Four is mentioned as having happened less than a month ago. The Gang of Four is also criticised for causing so many of the current difficulties.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOne page of mimeographed notes on an important speech given by Chairman Hua (China’s Chairman 1976-1978) at a financial conference on 5th November 1976 in which he criticised the Gang of Four, revealing their corruption.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eNotes in manuscript on a speech given by Geng Biao, possibly recorded by a government clerk, on 14th December 1976. The details concern the 1 year anniversary commemoration of Zhou Enlai’s death, and reports that a few Vice Premier’s had been applauded after calling Deng Xaioping ‘comrade’ in speeches. He reminds those present that everything printed in the papers must be factual.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eRare and unusual ephemeral survivals.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800221\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209040708,"sku":"1800221","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800221.jpg?v=1788803729"},{"product_id":"charterhouse-school-an-album-of-school-photos-and-ephemeral-items-1800220","title":"[CHARTERHOUSE SCHOOL] An album of school photos and ephemeral items","description":"\u003ch3 style=\"font-variant: small-caps\"\u003eWITH PRE-WAR PHOTOGRAPHS OF ROBERT GRAVES AND HIS CONTEMPORARIES AT CHARTERHOUSE\u003c\/h3\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOblong folio; a school photo album in full diced morocco with gilt borders and five raised bands  to spine; decorative floral endpapers and gilt turn-ins; containing 35 leaves of thick black card, 12 of which have been utilised with the affixed images of 80 photographic roundel and square portraits of both pupils and schoolmasters, along with an additional 11 group images of various sports teams and end of term photos; the final image showing a celebratory dinner in one of the halls of the school; together with an additional 11 pieces of ephemera including signed menus, sports day programmes, and wartime letters of condolence bordered in black; one leaf coarsely removed; covers scratched and some loss to the leather at corners of boards and along backstrip of spine; a little dusty, internally, but otherwise excellent; one of the schoolboy’s faces in the dinner photograph has here been scribbled over with pencil for an unknown reason. \u003c\/p\u003e\u003cp\u003eA fascinating compilation of \u003cb\u003ephotographs and ephemeral items relating to Charterhouse school before, during, and after the Great War\u003c\/b\u003e. Many of the portrait photographs are here signed, and show the boys in school and sports attire, along with some in officer’s wartime dress. Schoolmasters are also pictured and, perhaps most notably, the album contains \u003cb\u003eat least two references to Robert Graves\u003c\/b\u003e; the first a known roundel portrait of Graves as a young schoolboy; the second is contained in a sports day programme dated Saturday November 16th 1912, which mentions a boxing match between the then-17 year old Graves and R. J. P Rodakowski. It is likely that Graves additionally appears in at least some of the additional group shots, though I have been unable to formally identify him. \u003c\/p\u003e\u003cp\u003eGraves famously had a difficult time at Charterhouse, and was bullied for his German heritage. His full name, in particular, ‘Robert von Ranke Graves’, along with his outspoken and serious nature, led him to pursue boxing in order to respond to this persecution during his time at the school, and he was encouraged by his friend Raymond Rodakowski, whom he is here seen fighting against. He later became the school champion at both welter and middleweight.  \u003c\/p\u003e\u003cp\u003eContained in the additional items of ephemera are: \u003c\/p\u003e\u003cp\u003eAn ‘Old Carthusian Dinner’ menu, dated Wednesday 12th December 1917 and featuring such delicacies as Sole au Vin Blanc, Scotch Woodcock and Bombe Glace, signed by many of the old Carthusians in attendance to the verso; \u003c\/p\u003e\u003cp\u003eA Charterhouse Founder’s Day Dinner menu, dated December 14th 1920, including turbot and Gelée Dantzic, similarly signed by several of the Carthusians to the verso; \u003c\/p\u003e\u003cp\u003eTwo handwritten letters addressed either to ‘Vincent’ or ‘Vi’ on Charterhouse School headed notepaper, one a mourning letter which refers to the ‘Zepp raid’ and a fire at nearby Broadwater “in which I earned but did not gain the V.C. for… bravery, in directing a stream of fire-quencher from a nozzle weighing 3 tons…”\u003c\/p\u003e\u003cp\u003eA further 6 letters, one a mourning letter, addressed to ‘Seligman’, some pre-war, some mid war. \u003c\/p\u003e\u003cp\u003eThe album appears to have been owned by the recipient of these letters, Vincent Julian Seligman (1886-1972), a contemporary of Graves’ who saw active service in the Gallipoli campaign and also in Salonika, Greece. \u003c\/p\u003e\u003cp\u003eA fascinating series of photographs and selection of ephemera dating to the Great War, relating to Robert Graves and his contemporaries during their school days at Charterhouse. \u003c\/p\u003e\u003cp\u003eUnique. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800220\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209073476,"sku":"1800220","price":750.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800220.jpg?v=1788803729"},{"product_id":"chamberlain-basil-hall-aino-fairy-tales-1-2-the-hunter-in-fairy-land-the-bird-s-party-1800219","title":"CHAMBERLAIN, [Basil Hall] Aino Fairy Tales 1 \u0026 2: The Hunter in Fairy Land \u0026 The Bird’s Party","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., 2 vols; decorative crepe paper wraps, decorated in full colour and tied with string; the first cover showing bows, arrows, quivers, pots and patterns belonging to the Aino people; the second showing birds feasting; and the house of an Aino couple (who told Chamberlain the story) printed to the lower; pp. [xviii] \u0026amp; [x] including covers; lettered and decorated throughout in full colour with illustrations, borders, printed and typographic text in both English and Japanese scripts; the preface to Vol I on extremely thin tissue paper; covers a little worn and the Japanese double-leaf folding (fukuro-toji) split in places; the binding string a little loose; some light creasing in places; Vol II with a damp stain affecting the internal pages, with no loss of text or colour; very good copies of seldom-found ephemeral works. \u003c\/p\u003e\u003cp\u003eBasil Hall Chamberlain (1850–1935) was a British academic and Japanologist who was one of the earliest translators of haiku into English. Born in England in 1850, he set sail for Japan in 1873, and upon landing he was employed first by the Japanese Government, before he began to teach at the Imperial Japanese Naval Academy in Tokyo from 1874 to 1882. Later, he became professor of Japanese at Tokyo Imperial University, beginning in 1886. \u003c\/p\u003e\u003cp\u003eChamberlain is perhaps best known today for his beautiful translations of Japanese folk tales into English. The Japanese Fairy Tale Series was a run of an intended 23 classic stories which included among them such tales as \u003ci\u003eThe Silly Jelly-Fish, Urashima, The Serpent with Eight Heads\u003c\/i\u003e, and \u003ci\u003eMy Lord Bag-o'-Rice\u003c\/i\u003e. These were published by Kobunsha in Tokyo towards the end of the 19th century, and the publisher employed a series of talented English writers residing in Japan to complete the translations. Beautifully arranged and printed, they included woodblock prints based on those of the Meiji period and were bought chiefly as gifts by foreign travellers or by those wishing to learn about Japanese culture. \u003c\/p\u003e\u003cp\u003eChamberlain also issued a very limited series of Aino Folk-Tales, which appeared in a run of just 3 books; \u003ci\u003eThe Hunter in Fairy-Land, The Birds' Party\u003c\/i\u003e and \u003ci\u003eThe Man who Lost his Wife\u003c\/i\u003e. Intended as a supplement to the fairy tale series, Chamberlain gathered indigenous oral traditions from the Ainu people of Hokkaido for the content, and they later appeared together in a dedicated 1888 collection for the Folk-lore Society. The first story follows a hunter as he searches for a bear in the snowy mountains. Following it into a cave, he reappears in fairy land, where he eats some of the fruits and is transformed into a snake. When a fairy appears to him in a dream, she tells him that the only way he can escape his plight is to fling himself from the top of a very tall pine tree. After he becomes a man again, he discovers that the bear was actually a fairy luring him to the mystical land to marry him. The second story is much shorter, and is a moral tale about two pigeons who decide to host a dinner party - but because they do not invite everyone, a jealous crow drops a large stone on them from above and the feast is ruined. The last two pages inform the reader that the story was subsequently set to music by a celebrated Japanese composer, and shows a coloured woodcut beneath representing the performance. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eExceedingly scarce on the open market. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800219\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209106244,"sku":"1800219","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800219.jpg?v=1788803730"},{"product_id":"capek-karel-r-u-r-rossum-s-universal-robots-a-play-in-three-acts-and-an-epilogue-1800218","title":"CAPEK, Karel R.U.R [Rossum’s Universal Robots] A Play in Three Acts and an Epilogue","description":"\u003ch3 style=\"font-variant: small-caps\"\u003eTHE WORD ‘ROBOT’ USED FOR THE FIRST TIME\u003c\/h3\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., original glued black wraps lettered in red to upper cover; pp. [v], 6-102, [ii, ads.]; an excellent and fresh example, covers a little sunned at edges and along spine, with one small chip to the upper right hand corner of front cover. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst UK edition\u003c\/b\u003e, translated by P. Selver and adapted for the English stage by Nigel Playfair. \u003c\/p\u003e\u003cp\u003eR.U.R is a sci-fi play which is best known today for first introducing the world to the word ‘robot’ to the English language. First written in 1920 under the title Rossumovi Univerzální Roboti, it premiered on the 2nd January 1921 in Hradec Králové, Czechia.  The play begins in a factory which produces artificial people - ‘Robots’ - similar in conception to modern androids, who look and act like humans, and are sometimes even mistaken for them. Initially happy to be subservient to people, the robots end up staging a revolt, killing all but one of their masters. Attempting to reproduce proves disastrous - their attempts at replication leave them with nothing but bloody chunks of meat - until two of them fall in love. \u003c\/p\u003e\u003cp\u003eIn England the play was first produced in London by the Reandean Company. It was performed at St. Martin’s theatre in April 1923, produced by Basil Dean and with scenery designed by George W. Harris. \u003c\/p\u003e\u003cp\u003eČapek ranks highly alongside such authors as Huxley and Orwell in the genre of Speculative Fiction, in which he wrote extensively about mass production, robots, atomic bombs and post-human beings, as well as dictatorships and corruption. In Czech, the word \u003ci\u003erobota\u003c\/i\u003e means forced labour of the kind that serfs had to perform on their masters' lands, and is derived from rab, meaning ‘slave’. The book undoubtedly went on to inspire Asimov’s \u003ci\u003erobot\u003c\/i\u003e series, along with many other popular works on the subject throughout the 20th century.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800218\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209139012,"sku":"1800218","price":400.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800218.jpg?v=1788803730"},{"product_id":"burnett-frances-hodgson-a-lady-of-quality-1800217","title":"BURNETT, Frances Hodgson A Lady of Quality","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., publisher’s green cloth, lettered in gilt and blind to upper board and spine, with decorative devices in blind to the same; all edges untrimmed; pp. [viii], vii-x, [i]; 2-368, [iv, ads]; with illustrated captioned frontis, and title page in red and black; boards a little pushed at spine tips and rubbed to extremities, else fresh; internally very good, some light spotting to the edges of the text block, and to prelims; endpapers a little browned and offset; three page publisher’s catalogue to rear very roughly opened, with some loss to the outer margin (not affecting text). \u003c\/p\u003e\u003cp\u003eFourth UK edition, published in the same year as the first. This copy \u003cb\u003einscribed by the author to the ffep with a handwritten quote from the novel: \u003c\/b\u003e“‘It’s a bitter thing when the bird that flutters within has only little wings. All the more should those who are strong protect and comfort them’, Frances Hodgson Burnett, ‘98”.\u003c\/p\u003e\u003cp\u003ePerhaps best known today for \u003ci\u003eLittle Lord Fauntleroy\u003c\/i\u003e (1886) and \u003ci\u003eThe Secret Garden \u003c\/i\u003e(1911), Frances Eliza Hodgson was born in England, but emigrated to the U.S. with her family in 1865, meaning that the majority of her novels were first published from Tennessee, where she began writing  at the age of 19 to help supplement her family’s income, publishing stories in local magazines. By the 1890s she had married and bought a house in England, from which she wrote \u003ci\u003eThe Secret Garden\u003c\/i\u003e. Part romance, part melodrama, the dark, moral tone of \u003ci\u003eA Lady of Quality \u003c\/i\u003emade it the second highest-selling novel in the U.S. in the year of publication. The plot follows Clorinda, whose mother dies in childbirth leaving her to be raised by her dissolute father alongside her nine siblings, leading her to become a rebellious and somewhat unconventional character. As a young woman arriving into Restoration society, she must choose between a series of suitors, some of whom will test her independence and courage which threaten both her reputation and happiness. “A Lady of Quality is a novel about the invincibility of the human spirit” the publisher Pan Macmillan later wrote of their new edition “...the refusal of a woman to be mild and submissive, the acceptance of all experience, and courage born of adversity.” \u003c\/p\u003e\u003cp\u003eSuch lengthy manuscript notes by Burnett are \u003cb\u003euncommon thus.  \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800217\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209171780,"sku":"1800217","price":695.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800217.jpg?v=1788803731"},{"product_id":"bronte-charlotte-jane-eyre-an-autobiography-1800216","title":"BRONTE, Charlotte Jane Eyre. An Autobiography","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., publisher’s ribbed burgundy cloth, titled in gilt to upper cover and lettered\/decorated in gilt to backstrip; decorative endpapers; upper edge gilt; pp. [iii], vi-vii, [ii], 2-468, [4, ads.]; spine bubbled, a few marks to boards; internally evenly toned, some chipping to the endpapers and text block a little splayed; a very good example. \u003c\/p\u003e\u003cp\u003eNew edition. \u003c\/p\u003e\u003cp\u003eOne of Bronte’s most popular and enduring works, Jane Eyre was first published in 1847, and follows the eponymous protagonist as she navigates her difficult upbringing, her work and consequent conflicting romantic relationship with Mr Rochester, and the secret that plagues them all. It is still considered today to be one of the best-loved novels in the English language, and is certainly one of this bookseller’s favourite books of all time. \u003c\/p\u003e\u003cp\u003eA very nice late 19th century edition of this popular work, retaining both the publisher’s binding and Bronte’s pseudonym to the title page. A very nice book. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800216\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209204548,"sku":"1800216","price":200.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800216.jpg?v=1788803731"},{"product_id":"broadside-the-unhappy-lady-of-hackney-1800215","title":"[BROADSIDE] The Unhappy Lady of Hackney","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eFolded bifolium (36 x 23.5cm); printed in black to recto only on rag paper; with large woodcut image showing a couple in a countryside scene with trees, birds, and houses in the distance; text in four columns with decorative borders; creased in accordance with age, a couple of brown spots; else a wonderful survival, the print remaining particularly clear. \u003c\/p\u003e\u003cp\u003eA contemporary or near-contemporary publication, with the ballad telling the tragic story of a young woman who falls victim to a deceitful suitor. \u003c\/p\u003e\u003cp\u003eHistorical records suggest that this ballad was based on the real life story of Susannah Holworthy of Clapton, a young woman of a wealthy family who was 'tempted' by her sister's husband: “he overcame me once with wine \/ And us'd me at his pleasure \/ then took me from my parents dear \/ in sorrow out of measure”, the ballad proclaims. Abducted and hidden, she falls pregnant, but shortly before her death in childbirth, she dispatches a letter to her parents naming their son-in-law as the cause of her disappearance and death. Her eldest brother, 'a hopeful youth', dies of grief; her parents exhume her body on suspicion of murder, and her sister ‘rav’d like thunder \/ To think her husband was so base \/ To prove her sister's ruin.’\u003c\/p\u003e\u003cp\u003eLikely an embellished version of what would now be considered a tabloid scandal, this remains a rare example of this piece of street literature. The imprint, with the single woodcut, is not traced. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800215\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209237316,"sku":"1800215","price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800215.jpg?v=1788803732"},{"product_id":"brittain-vera-pethick-lawrence-a-portrait-1800214","title":"BRITTAIN, Vera Pethick-Lawrence: A Portrait","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., deep pink boards lettered in silver to spine; Pethwick-Lawrence’s signature embossed in blind to upper cover; upper edge stained pink; in the red\/orange dustwrapper printed in black and white (unclipped, priced 25s. net to front flap); pp. [vii], 8-232; containing 21 black and white photographs interspersed throughout; a little sun-faded at edges of spine, else fine in the wrapper which is a little darkened to the spine, lower panel and folds; very good. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst edition\u003c\/b\u003e, this copy \u003cb\u003einscribed by the author in the year of publication\u003c\/b\u003e to the title page. This copy comes together with: \u003c\/p\u003e\u003cp\u003eA clipping from an original TLS, 15.5 x 11cm approx, with ‘On behalf of the Women’s Social \u0026amp; Political Union, \/ Yours faithfully,’ typed, followed by the signatures of both Emmeline Pethwick-Lawrence and Mabel Tuke (Hon. Treasurer and Hon. Secretary) beneath in blue ink;  followed by their names again written in a different hand beneath, and dated 14 December 1908.\u003c\/p\u003e\u003cp\u003eAn interesting book by Vera Brittain in which she presents a biography of her friend Frederick Pethick-Lawrence, a prominent suffrage campaigner and Labour MP.\u003c\/p\u003e\u003cp\u003eFrederick’s first wife Emmeline Pethick-Lawrence was a prominent British suffragette, social reformer and co-editor of the \u003ci\u003eVotes for Women \u003c\/i\u003epublication. Together with her husband, she played a leading role in the militant women’s suffrage movement. At the time of this publication, Frederick had already remarried, but Brittain was friends with both of his wives. Much of the material was compiled from Frederick’s own extensive personal papers. \u003c\/p\u003e\u003cp\u003eMabel Tuke was a British actress and prominent supporter of women’s suffrage. Active in the Actresses’ Franchise League, she appeared widely on the Edwardian stage and in early twentieth century theatrical productions. It is scarce to find these signatures together, with both signatories central figures in the WSPU.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800214\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209270084,"sku":"1800214","price":275.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800214.jpg?v=1788803732"},{"product_id":"betjeman-john-new-bats-in-old-belfries-1800213","title":"BETJEMAN, John New Bats in Old Belfries","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSmall 8vo., publisher’s red boards, paper label to upper cover; together in the unclipped wrapper (6s. net to front flap), printed in red and black; pp. [iv], v-vi, 54; a very good to near-fine copy, pages a little toned and a touch bumped to spine tips; the wrapper with some very minor rubbing and darkening, else also near-fine.  \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst edition. \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAn important collection of notable poems by John Betjeman, including those dedicated to Miss Joan Hunter Dunn and to Clemency, the General’s daughter. In particular, his commitment to the protection of architectural heritage is well represented, as in ‘The Planster’s Vision’ (p. 34), in which he writes, in a rather tongue-in-cheek way: \u003c\/p\u003e\u003cp\u003e\u003ci\u003e“Cut down that timber! Bells too heavy and strong, Pouring their music through branches bare…have pealed the centuries out with Evensong. Remove those cottages, a huddled throng! Too many babies have been born in there, Too many coffins, bumping down the stair…” \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eA lovely copy.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800213\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209302852,"sku":"1800213","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800213.jpg?v=1788803733"},{"product_id":"betjeman-john-ed-collins-guide-to-english-parish-churches-1800212","title":"[BETJEMAN, John, ed.] Collins Guide to English Parish Churches","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., publisher’s original glazed black cloth, titles stamped in gilt to spine; upper edge stained red; pictorial dustwrapper designed in colour by Clifford and Rosemary Ellis (unclipped, 30s. net to front flap); pp. [viii], 9-480; with 64 monochrome plates, and including an Index and Glossary; a near fine copy, lightly bumped and discoloured to foot of spine; ever-so-slight toning mostly affecting the endpapers; some minor dark marking to the lower edge of the text block; the wrapper with small chip to foot of spine on wrapper, sometime repaired internally with tape; a little spotting to the lower panel; some light nicks and chips to ends of folds. \u003c\/p\u003e\u003cp\u003eFirst edition. This a \u003cb\u003ePresentation copy, contemporaneously inscribed by the author to the title page \u003c\/b\u003e- with his charmingly puckish wit - : “Iain MacBetjeman \/ in \/ the achins of the North \/ Caledonia \/ 1959”. \u003c\/p\u003e\u003cp\u003eAn interesting work on the churches of England, which benefits greatly from Betjeman’s knowledgeable editorship and introduction. This influential publication presents the first remarkably thorough and accessible guide to a comprehensive selection of over 4000 glorious and distinctive buildings across the UK. \u003c\/p\u003e\u003cp\u003eIn particular, this work is notable for drawing attention to what was at the time an under-appreciated facet of our architectural heritage, and at a phase of increasingly diminishing national faith and regular Sunday church attendance which prevails to this day. \u003c\/p\u003e\u003cp\u003e\u003ci\u003e“Three ghosts inhabit all English churches. They are those of John Betjeman, Alec Clifton-Taylor and Nicklaus Pevsner.”\u003c\/i\u003e - Simon Jenkins in ‘England’s Thousand Best Churches’  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800212\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209335620,"sku":"1800212","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800212.jpg?v=1788803733"},{"product_id":"ballard-j-g-empire-of-the-sun-the-kindness-of-women-1800211","title":"BALLARD, J. G. Empire of the Sun [\u0026] The Kindness of Women","description":"\u003ch3 style=\"font-variant: small-caps\"\u003eBOTH VOLUMES INSCRIBED BY BALLARD\u003c\/h3\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLarge 8vos., 2 vols; black and red linson boards, respectively; lettered in gilt to spines; with unclipped pictorial dustwrappers by Pat Doyle and Peter Maynard; pp. [x], 3-278, [ii]; [viii], 9-286, [ii]; both very good to near-fine copies, vol I with some light toning to page edges and endpapers; vol II lightly bumped to foot of spine; the wrappers clean and bright, just a couple of very small marks and creases; with the spine of vol I unfaded, as is sometimes found. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst editions both\u003c\/b\u003e, and both copies \u003cb\u003esigned by the author\u003c\/b\u003e to the title page. To ‘Empire’, Ballard adds the inscription ‘To Nigel \/ Very Many Thanks.” \u003c\/p\u003e\u003cp\u003eBallard began his career in the genre of Science Fiction, with short story collections appearing in \u003ci\u003eNew Worlds\u003c\/i\u003e and \u003ci\u003eScience Fantasy\u003c\/i\u003e magazines. It was, however, in 1984 that he first won critical acclaim for \u003ci\u003eEmpire of the Sun\u003c\/i\u003e, a semi-autobiographical novel which takes as its focus the experiences of a British boy living and growing up in Shanghai during the Japanese occupation. Ballard and his family had moved into the centre of the city in 1937, but after the battle of Hong Kong the Imperial Japanese Army occupied the International Settlement and imprisoned its Allied civilians, sending Ballard’s family, along with many others, to the Lunghua Civilian Assembly Centre. They lived there for the remainder of the war, and it was this very displacement that formed the basis for the novel. “I don't think you can go through the experience of war without one's perceptions of the world being forever changed”, Ballard later wrote, “the reassuring stage-set that everyday reality in the suburban West presents to us is torn down; you see the ragged scaffolding, and then you see the truth beyond that, and it can be a frightening experience. I have—I won't say happy—[but] not unpleasant memories of the camp... I remember a lot of the casual brutality and beatings-up that went on—but, at the same time, we children were playing a hundred and one games all the time!\" \u003ci\u003eEmpire\u003c\/i\u003e was shortlisted for the Booker Prize, and awarded the Guardian Fiction Prize and James Tait Black Memorial Prize for fiction. In 1987 the book was adapted into an award-winning film directed by Steven Spielberg and written by Tom Stoppard. In 1991 Ballard released the sequel, \u003ci\u003eThe Kindness of Women\u003c\/i\u003e, which follows his life from childhood through to adulthood as he travels to England, studies medicine, becomes a pilot, marries and has children, all while attempting to navigate the impact that his early childhood experiences have had on his views of violence, sex and death. \u003c\/p\u003e\u003cp\u003eA smart set of Ballard’s most famous works. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800211\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209368388,"sku":"1800211","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800211.jpg?v=1788803734"},{"product_id":"andersen-hans-christian-the-little-mermaid-and-other-tales-1800210","title":"ANDERSEN, Hans-Christian The Little Mermaid and Other Tales","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLarge 4to., recently rebound in full blue morocco with decorative borders in gilt to both upper and lower covers; spine lettered and ruled direct in gilt, with five raised bands and four decorative devices in compartments; outer edges untrimmed; new endpapers; pp. [v], viii-xxiii, [[i], 2-384, with 65 black and white plates behind loose tissue guards, both full page and in-text; two loose paper binder’s labels to rear; tissue browned and sometimes a little offset; occasional corner creases to pages; otherwise an excellent example. \u003ci\u003eProvenance\u003c\/i\u003e: Formerly in the collection of the noted collector Francis E. Bliss, with his Ex Libris to the front paste-down. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eLimited, no. 42 of just 150 copies \u003c\/b\u003eof this illustrated edition. Alongside the title story, such classic tales as ‘The Tinder Box’, ‘The Emperor’s New Clothes’, ‘Thumbelina’, ‘The Steadfast Tin Soldier’ and ‘The Ugly Duckling’ can be found. A loose newspaper clipping from the New York Times Book Review, celebrating Andersen’s 120th anniversary, printed March 29th 1925, is also loosely inserted. \u003c\/p\u003e\u003cp\u003eThe English painter and illustrator John Reinhard Weguelin (1849 – 1927) specialised in figurative painting strongly inspired by classical antiquity, mythology, and pastoral scenes. Using both oil and watercolour, he supplemented his income through illustration, with one of his early commissions being  Macaulay's \u003ci\u003eLays of Ancient Rome\u003c\/i\u003e. Weguelin became known for his images of nymphs and mermaids, as well as his nudes, so he was perhaps a clear choice for this edition of Han Andersen’s \u003ci\u003eLittle Mermaid\u003c\/i\u003e. Here, the illustrations show a series of scenes incorporating nymphs and mythical creatures, both in and out of water. The drawings were praised by The Sketch thus: “it would scarcely be possible to over-praise them; the pencil can do no more for Andersen than Mr. Weguelin has done for him here.\" \u003c\/p\u003e\u003cp\u003eRobert Nisbet Bain (1854–1909) was a British historian, linguist and translator who worked for the British Museum and who spoke over twenty languages. \u003c\/p\u003e\u003cp\u003eScarce. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800210\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209401156,"sku":"1800210","price":550.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800210.jpg?v=1788803734"},{"product_id":"aliquis-pseud-samuel-edward-maberly-the-flight-of-the-old-woman-who-was-tossed-up-in-a-basket-1800209","title":"ALIQUIS, pseud. [Samuel Edward MABERLY] The Flight of the Old Woman who was Tossed up in a Basket","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eFolding handcoloured panorama 10.5cm in width, with a series of 12 handcoloured interconnected plates extending to a grand total of 230cm in length; printed and coloured to recto only; contained within card covers containing onlaid labels and adjoined with red cloth backing; upper cover with title label showing the title lettering printed to a bedsheet hanging over the edge of a basket with a broom and cobwebs visible; beneath; two young boys look through a telescope as a man gesticulates, as if mid story; a synopsis is printed beneath: ‘There was an old woman tossed up in a basket \/ Nineteen times as high as the moon \/ And where she was going I couldn’t but ask it \/ For in her hand she carried a broom \/ Old Woman! Old Woman! Old Woman quoth I \/ Oh wither Oh Wither Oh Wither so high \/ “To sweep the cobwebs out of the sky \/ And I’ll be with you again by and bye’; printed beneath is an additional note ‘NB the purchasers of this work may rely upon receiving the earliest information of the return of the Old Woman’; additional advertisement for ‘The Pictorial Humpty Dumpty’ printed to rear board; the rhyme itself printed to a folding sheet to the inside cover describing each individual plate; a bright example, with a few marks and chips to edges, as is common; the plates with archival tape reinforcement to versos; a few chips and marks; all plates present and complete; some darkening and rubbing to boards as expected; an excellent survival. \t\u003c\/p\u003e\u003cp\u003e\u003cb\u003eA scarce and rather beautiful handcoloured panorama of this children’s rhyme\u003c\/b\u003e, which follows the old woman as she begins her voyage into the skies, tossed up by men who ‘full mischievouslie disposed’ bore her aloft by means of a blanket; how she encounters much rain; how she passes a man ‘with lanthorne dogge \u0026amp; bushe of thorne presentying moonshine as Maister Will Shakespeare saith’; showing her knitting as she passes the dog star which barks at her as she goes by; representing her being attacked by various birds and beasts (and fending them off with her broom); passing many moons, and finally, as she arrives at her destination, she is able to carry out the task in hand, cleaning the skies “which she findeth full loathsome by some reason of the manie \u0026amp; great spyders which have for long time bygone woven their webbes therein.” \u003c\/p\u003e\u003cp\u003eThe rhyme dates back to as early as the 17th century, but Alquis’ enigmatic illustrations have become over time the most popular and recognisable depictions. Designed to be ‘read’ from the bottom up, it is likely that the engraver was inspired by George Cruikshank's famous 1849 horizontal panorama, \u003ci\u003eThe Toothache\u003c\/i\u003e\u003ca href=\"http:\/\/bugpowder.com\/andy\/ebc.cruikshank.thetoothach.html\"\u003e. \u003c\/a\u003e\u003c\/p\u003e\u003cp\u003e‘Alquis’ was the  pseudonym for The Rev. Samuel Edward Maberly (1818–1848), an English clergyman, artist, and rower who served as the first president of the Oxford University Book Club in 1843. The V\u0026amp;A reports that Lewis Carroll's family owned a copy of Maberly's \u003ci\u003ePictorial Humpty Dumpty\u003c\/i\u003e, and that it is highly probable that Maberly’s unique visual interpretation served as Carroll's direct inspiration for the character of Humpty Dumpty in \u003ci\u003eThrough the Looking-Glass\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eA striking publication. \u003cb\u003eScarce complete\u003c\/b\u003e, with Copac recording just the Oxford and V\u0026amp;A copies; no further copies on OCLC.   \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800209\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209433924,"sku":"1800209","price":2250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800209.jpg?v=1788803735"},{"product_id":"adichie-chimamanda-ngozi-half-of-a-yellow-sun-1800208","title":"ADICHIE, Chimamanda Ngozi Half of a Yellow Sun","description":"\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8vo., red boards lettered in black to spine with publisher’s device to foot; turquoise endpapers; together in the unclipped pictorial dustwrapper featuring a striking wraparound image in full colour; pp. [xii], 5-433, [vii]; essentially a fine copy, just a couple of small marks\/scratches, and very minimal creasing to the edges of the wrapper. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eFirst edition\u003c\/b\u003e, boldly \u003cb\u003esigned by the author \u003c\/b\u003eto the title page.  \u003c\/p\u003e\u003cp\u003eAdiche was born in Nigeria and studied medicine at University before travelling to the U.S. for further education at Drexel University Eastern Connecticut State, Johns Hopkins and Yale. Initially writing poetry and drama, her debut novel Purple Hibiscus achieved great commercial success, and Half of a Yellow Sun followed three years later. Adiche spent four years researching and writing the novel, which centres on the Biafran conflict during the Nigerian Civil War, and incorporates many of her father's memories of that time period. The plot moves between the lives of several characters - Ugwu, a teenage boy who has moved from his village to work for Odenigbo, a university lecturer with revolutionary views; Olanna, the beautiful daughter of a wealthy Nigerian man from Lagos, with whom Odenigbo is in love; and Richard, a tall shy Englishman in thrall to Olanna’s sister - all of whom are affected in varying ways by the outbreak of the conflict. \u003c\/p\u003e\u003cp\u003eIn 2007, the book won the Women’s Prize for Fiction. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU: \u003c\/strong\u003e1800208\u003c\/p\u003e","brand":"Fold the Corner","offers":[{"title":"Default Title","offer_id":57198209466692,"sku":"1800208","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/files\/1800208.jpg?v=1788803735"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8711\/0212\/collections\/York_cover_JPG_aa97d5cd-eab1-473b-b3f9-90f9d13d56b6.jpg?v=1788686384","url":"https:\/\/foldthecornerbooks.co.uk\/collections\/york-2026.oembed","provider":"Fold the Corner Books ","version":"1.0","type":"link"}